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7th November 2004, 09:35 AM
#51
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geno (@ 61.2*) on: Tue Oct 5 18:29:00 EDT 2004
¾¢ÕÁí¨¸ «Å÷¸§Ç,
"Á£ñÎõ Á£ñÎõ" ¸Å¢¨¾ ¦ÅÚõ Ò¨É× §À¡Äò §¾¡ýÈÅ¢ø¨Ä. ±í§¸¡ ¿Î츼Ģý ÒÂø ¸¢ÇôÀ¢Â §¸¡À «¨Ä¸¨Ç - ¸¨Ã¾É¢ý À¡¨È¸Ç¢ø µí¸¢ «¨ÈóÐ ¦ºøÅÐ §À¡Ä ¯½÷×...±ýÛ¨¼Â "Åñ¼ø Áñ½¢Öõ" º¢Ä ¸£Èø¸¨Ç ²üÀÎòи¢ÈÐ...
¸Å¢¨¾ ¸¢ÇôÒõ ¯½÷Ũĸ¨Ç À¾¢× ¦ºöžü§¸ ±ÉìÌ º¢Ä ¿¡ð¸û §¾¨Å §À¡Öõ.
²§¾¡¦Å¡Õ ¸¡ÄîÍÆø, time tunnelling ¦ºö¸¢ÈÐ ¸Å¢¨¾! ºÁ£Àò¾¢ø þôÀÊ À¡¾¢ôÒ ²üÀÎòи¢È¨¾ô ÀÊì¸Å¢ø¨Ä.
¸Å¢¨¾ ¸¢ÇôÒõ ÁÉôÒÂø ¸¨Ã¨Âì ¸¼ì¸ðÎõ..À¡÷ì¸Ä¡õ :=)
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7th November 2004 09:35 AM
# ADS
Circuit advertisement
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7th November 2004, 09:35 AM
#52
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malligai (@ 63-2*) on: Tue Oct 5 20:01:11 EDT 2004
KSS,
the Phoenix has always been used as the paragon of rebirth, eternity etc...
þíÌ «¨¾ Á¨È ÁÚìÌõ ¿¢¨É׸ÙìÌ ´ôÀ¢ð¼Ð ÒШÁ¡¸
þÕ츢ÈÐ....
//¾¢ÕõÀ¢ ¿£ §ÅÚ ¯Õ즸¡ñÎ
Åó¾¢ÎÅ¡¦ÂÉ «È¢ó¾ À¢ýÒõ
ÅÖì¸ð¼¡ÂÁ¡¸ Å¢¨¼ÂǢ츢§Èý. //---we must learn to live with
it, i guess...
Áɨ¾ò ¦¾¡Îõ Åâ¸û....
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7th November 2004, 09:35 AM
#53
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suresh (@ 61.9*) on: Wed Oct 6 03:23:09 EDT 2004
‚Áí¨¸,
ºÁ£Àò¾¢ø ±ÉìÌ §¿÷ó¾ «ÛÀÅò¾¢ø, ±ý ÁÉ¿¢¨Ä ±ôÀÊ¢Õó¾Ð ±ýÀ¨¾ ¯í¸û ¸Å¢¨¾ ±ÉìÌ Å¢Ç츢¢Õ츢ÈÐ...
ƒ¢§É¡ ¦º¡øÀÊ : ¸Å¢¨¾ ¸¢ÇôÒõ ÁÉôÒÂø ¸¨Ã¨Âì ¸¼ì¸ðÎõ..À¡÷ì¸Ä¡õ :=)
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7th November 2004, 09:35 AM
#54
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srimangai (@ 220.*) on: Wed Oct 6 21:23:56 EDT 2004
Dear Friends,
¦¸¡ïº ¿¡Ç¡ §¸¡Å¡ §À¡Â¢Õó§¾ý..( «ôÀÊ ¦À¡È¡¨Á¡ô À¡÷측¾£÷¸û. «ÖÅø Å¢ºÂÁ¡ò¾¡ý..! ) sorry for my belated reply.
Dear Geno
Thanks for your comments. I just wonder how you capture the subtle pulses which create the vibrations in a poem..! It is amazing. The kind of encouragement I get from friends like you here, motivates a lot.
Hello Malligai,
Nice to see you back in forum. engae poiyiteenga?
I thought that the phoenix could be appropriate as the memoirs lived deeply in the heart and when they were forced to be forgotten, they "die"(?) for a period, only to come back with a vengenance once a stimulus is given.
Abhi has written an excellent verse on this. I shall write on that in "Naan Viyantha Kavithai" later.
Thanks for your compliments.
hello Suresh,
Thanks for sharing your feelings. glad that you liked this verse.
«ýÒ¼ý
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7th November 2004, 09:35 AM
#55
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Pavalamani Pragasam (@ 220.*) on: Sat Oct 9 02:16:52 EDT 200
þùÅÇ× ¾¡ÀÁ¡¸ ¨Åò¾ §¸¡Ã¢ì¨¸¨Â ÁÃõ ²üÚì ¦¸¡ñ¼¾¡?
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7th November 2004, 09:35 AM
#56
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tiruttakkan (@ rash*) on: Sat Oct 9 05:35:26 EDT 2004
;¡¸÷,
þÐ ´Õ ¸Å¢¨¾ ! þ¾üÌ Á¾¢ô¦Àñ¸û! §À¡í¸ôÀ¡! Àð¼ ÁÃõ ÀüÈ¢ô
À¡Ê ´Õ âí¸¡ÅÉõ ¦¸¡ÎòÐûÇ£¢÷. ±ý¨É þ¨ÇôÀ¡È Å¢Îí¸û!!
¸¢¨Ç¡ðÎò ¾ÉÁ¡¸ ÁÃò¾¢ý Á¡öÁ¡Äò¾¢ø Å¢¨Ç¡ðÎ. źó¾õ ¦¾¡¼Ã¡¾ þ¨ÄÔ¾¢÷ì ¸¡Ä ÓÊ× ¦º¡ýÉÐ «ºò¾ø. âòàÅ¢¢ð§¼¡õ ±ýÚ ÁÉô À¢Ã¨Á¢ø ÒØòÐì ¦¸¡ðÊ, ¦¸¡ðÊ ÒØì¸û ÒÄôÀð¼ §À¡Ð Åñ½òÐô â ¿¢¨ÉÅ¡ø ¸É×ìÌû ÀÐí¸¢, Àð¼ ÁÃòÐìÌô âì¸×õ, °÷ô âì¸ÙìÌ Åñ½Á¢¼×õ ¨º§Â¡?
ÁÃò¾¢ý ܨÉò¾¡ý ¸¢¨Ç¸û ÍÁó¾É.²§¾¡ «ï»¡Éõ ¸¢¼óÐ «¨Ä¸¢ÈÐ.¸¢¨Ç¨Â ´ÊòÐÅ¢ð¼¡ø ¿¢Á¢÷óÐÅ¢¼Ä¡¦ÁýÈ ¸¨Ç À¢âðÎ ¦¿øÄ¡¨ºô ÀÎõ ¯¨ÇÄì ¸Å¢¨¾ô ÀÎò¾¢Â Å¢¾õ.§Å§È¡÷ þ¼õ §¾Ê Ţب¾ô Ò¨¾ò¾¡ø ÁñÏìÌ ¯ÃÁ¡Ì¦ÁýÚ ¦¾Ã¢óÐõ ±ôÀÊ¡ÅÐ §Å÷ Á£ñÎõ Å¢ðÎÅ¢¼Ä¡õ ±ýÈ ¬¨º. þôÀÊ ¦º¡øÄôÀ𼾡¸ò §¾¡ýȢɡÖõ, ÒРި¾Â¢ðÎ,͸í¸û ÁðΧÁ Ó¨Çì¸î ¦ºöÔõ ÓÂüº¢Ôõ, þó¾ ÁÃò§¾¡Î ¯ÃÅÚòÐì ¦¸¡ûÇò ÐÊôÒõ þ¨Æ§Â¡Ê, ¾ýÉõÀ¢ì¨¸ ¸Å¢¨¾¨Âò ¾í¸ì ¸õÀ¢Â¢ø §¸¡ì¸¢ÈÐ.
¾¢Õò¾ì¸ý
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7th November 2004, 09:35 AM
#57
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srimangai (@ 202.*) on: Sat Oct 9 09:05:27 EDT 2004
THanks PP,
Hmm, ÁÃõ ±ô§À¡Ðõ ÁÃõ¾¡ý. ±ò¾¨É ÒØì¸û ¦Á¡öò¾¡Öõ, «Ð Óð¼¡û¾ÉÁ¡¸ò ¾Ç¢÷Å¢¼ò¾¡ý ¦ºöÔõ..! «Ð §¸ðÊÕó¾¡ø¾¡ý,ôâɸ§Ç ¯ÕÅ¡É þì¸Å¢¨¾§Â þø¨Ä§Â?!! §¸ð¸¡Áø «¼õÀ¢ÊìÌõ ÅÄ¢ ͸õ..
TT,
þ¾¢ø ±Ð ¸Å¢¨¾ ±ýÀ¾¢ø ±ÉìÌ ÌÆôÀõ.. ¯ÁÐ comments ¿¡ý ±Ø¾¢Â¨¾Å¢¼ «Æ¸¡¸ þÕôÀ¾¡ø,Ţâšì¸õ Ӿġ¸×õ, º¡Ú²È¢Â «¼÷Å¢Á÷ºÉõ À¢ýÉ¡Öõ ÅÕõ þõÓÃñ Á¢¸ Å¢ò¡ºõ.. «ýÀ¡É Å¡÷ò¨¾¸éìÌ ¿ýÈ¢ TT «Å÷¸§Ç..
."¸¢¨Ç¨Â ´ÊòÐÅ¢ð¼¡ø ¿¢Á¢÷óÐÅ¢¼Ä¡¦ÁýÈ ¸¨Ç À¢âðÎ ¦¿øÄ¡¨ºô ÀÎõ ¯¨ÇÄì.." þó¾ Å¡÷ò¨¾¸Ç¢ø Á¢Ç¢Õõ ¸Å¢òÐÅõ ¯í¸û brand..
¿ýÈ¢¸û ÀÄ..
«ýÒ¼ý
‚Áí¨¸
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7th November 2004, 09:35 AM
#58
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Pavalamani Pragasam (@ 220.*) on: Sat Oct 9 23:04:35 EDT 200
"ÒРި¾Â¢ðÎ,͸í¸û ÁðΧÁ Ó¨Çì¸î ¦ºöÔõ ÓÂüº¢Ôõ, þó¾ ÁÃò§¾¡Î ¯ÃÅÚòÐì ¦¸¡ûÇò ÐÊôÒõ þ¨Æ§Â¡Ê, ¾ýÉõÀ¢ì¨¸ ¸Å¢¨¾¨Âò ¾í¸ì ¸õÀ¢Â¢ø §¸¡ì¸¢ÈÐ." -¾¸ ¾¸¦ÅÉ ¦ƒ¡Ä¢ìÌõ Å¢Á÷ºÉõ!
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7th November 2004, 09:35 AM
#59
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Roshan (@ 203.*) on: Mon Oct 11 05:02:21 EDT 2004
;¡¸÷,
>> ¯ý þ¨Ä¸û
ÅÕí¸¡Äí¸Ç¢ø,¿¢Æø¾Õ¦ÁÉ
±¾¢÷§¿¡ì¸¢Â¢Õ쨸¢ø,
þ즸¡Þà ¦ÅðÎôÒØì¸Ç¢ý ±îº¢Ä¢ø
ÍÕñΠŨÇóРܼ¡¸... >>
«Õ¨ÁÂ¡É - ¾òÐÅ¡÷ò¾Á¡É Åâ¸û!!
>> ŨÇóÐ ¦¿Ç¢óÐ Üý ²È¢Â
«ó¾ ¿¢¨É×츢¨Ç¨ÂÁðÎõ >>
þíÌ '¿¢¨É×츢¨Ç' ±ýÚ ¿£í¸û ÌÈ¢ôÀ¢ÎÅÐ ¸¡¾ø º¡÷󾨾¡? ¸Å¢¨¾Â¢ý þÃñ¼¡ÅÐ À󾢨Âô À¡÷ò¾¡ø «ôÀÊò¾¡ý þÕì¸ §ÅñÎõ ±ýÚ §¾¡ýÚ¸¢ÈÐ. ¸¡¾ø ¾Å¢÷òÐ §ÅÚ ²¾¡ÅÐ ±ýÈ¡ø, Å¡ú¿¡Ç¢ø ŨÇóÐ- ¦¿Ç¢óÐ - Üý ²È¢Â ¸¢¨Ç¸û ±ò¾¨É§Â¡ ! '¦ÅðÊ Å¢Î' ±ýÚ §¸¡Ã¢ì¨¸ Å¢Îò¾¡Öõ, «¾ý þÂÄ¡¨Á¨ÂÔõ, ²ì¸ò¨¾Ôõ «Õ¨Á¡¸ ¦ÅǢ즸¡½÷óÐûÇ£÷¸û. À¡Ã¡ðÎì¸û !
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7th November 2004, 09:35 AM
#60
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srima (@ 202.*) on: Wed Oct 13 08:50:54 EDT 2004
Hello Roshan,
THanks for your comments. You are right. Explictly I have mentioned in the second stanza "Aval" which leads to the Dimension of Love.. But, I have taken that as a symbol of any "Moham". If that is taken the possible dimensions can be more. I got an inspiration from a Bengali film where a female dancer was shown as an ensemble of Moham of the hero. Weird.. !
The inability is the core and the frustration of it is the expresion. Thanks again for the keen observation. Many times these are overlooked!
regards
Srimangai
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