why? is it because a thala fan spoke this. anyways I don't want to see ajith either in that role.Quote:
Originally Posted by Vivasaayi
I didn't like that role in itself. :(
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why? is it because a thala fan spoke this. anyways I don't want to see ajith either in that role.Quote:
Originally Posted by Vivasaayi
I didn't like that role in itself. :(
I think Ajith did a "Inba" kind of getup in the form of "Red" and we all know the outcome.Quote:
Originally Posted by Vivasaayi
"சொல்றதையே வித்யாசமா சொல்றது பாலசந்தர் ஸ்டைல். சொல்றத சொல்லாம சொல்றது மணி சார் ஸ்டைல்!" - Maddy in an interview after PaarthAlE Paravasam.
Anyways favorite movies diskassan needs to happen - Iruvar, Agni Nathchathiram and Kannathil MuthamittAl-Mouna RAgam tie.
ohh yes Iruvar should definitely be given a pat in the back. BUT, I would have wanted to see more of dialogues rather than the BGM from ARR. I wish if this movie was taken after Kalaignar's "period", I guess pre-censors of the movie would have been less with more of meaningful dialogues !
paavam Mani sir, he had to show the full print to both the parties just to know that more of his dialogues are going to be cut before even the movie was sent to censors :cry:
Best Film:
------------
Nayagan
Kannathil Muthamittal
Best Album:
--------------
Anjali
Idhaya Kovil
Agni Natchathiram
The best example is not inba for minimalism. The best example of how compressed, yet poignant mani can get is the Sharanya - Kamal love track in Nayagan. It expands on the cute 30 min love track of Karthik and Revathy in mouna raagam and brings a lot more poignancy and 'character' into picture. Very little, but meaningful dialogues (Thanks to Balakumaran). and no unnecessary 'explanation', 'exposition' of love between two people who have no law to walk by or follow. The instant 'kalyanam' was a shocker to me when i first saw it - after the 3rd or fourth viweing, it was very natural and the only way it could have happened when you have a character like Velu in play. The same notions, motives apply to Inba too. The character arc developments are very subtle, unlike Bala whose sole aim is to sensationalise - not just shock. Mani has a restraint (thanks to his target audience) while Bala has none. However their underlying sympathies are for the characters 'forsaken' or outside the mainstream - That is why you have Mani's protoganists being the odd ones out too in most cases..Quote:
Originally Posted by leosimha
Be it Divya the uncompromising young girl who always struggles to fit into normal stereotype
Be it Velu who always has broken stereotype of a dada, tamil youngster in alien mumbai
Be it Anjali who is the odd one out in an apartment community
Be it Thalabadhi or AE or AlaiPAyudhe or Bombay where the protagonists never take the easy way of 'abiding elders diktats', and other norms that we generally expect from hero figures'.
No wonder he has taken the fascination for 'Raavan' the best antihero indian literature has ever witnessed. My only fear is for the Rams and sitas who run the risk of ending up as caricatures in the glowing tribute to the 'odd guy' out in the crowd.
:clap:Quote:
Originally Posted by jaiganes
Films
Mouna Ragam
Nayagan
Thalapathi
Iruvar
Albums
Thalapathi
Agni Natchathiram
Anjali
Mouna Ragam
Dil Se/Uyire
Thiruda Thiruda
why the gap in nominations? :lol2:Quote:
Originally Posted by Nerd
generation gap :P