Just watched Kannathil Muthamittal...
Awesome BGM..Truly world class...I rate this one as ARR's best...
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Just watched Kannathil Muthamittal...
Awesome BGM..Truly world class...I rate this one as ARR's best...
The most hummed BGM of ARR is the BGM in Indian for the old kamal when he is doing things like painting the van, going about the planning etc.,
The second most hummed BGM is padayappa for the old rajini
Then there is the guitar riffs of May madham..
One of my favorites 8-)Quote:
Originally Posted by jaiganes
I like the BG score of Alaipaayuthey... esp the Guitar stuff when Karthick-Shakthi were about to marry....
Of course, my all time favourite from ARR is Mudhalvan theme... Title card, End Credits,...
Damn good...
Occurred to me while watching Kaminey.
Dhan te naan is a very impressive piece.
Dol dol from AE should have been used for such a thriller.
It had been wasted by MR, the Inba-Sasi story did not need such an energetic piece (it was useful to push the story forward quickly). Imagine a high speed chase/thriller/action block with Dol dol. That would've been great.
Iruvar is his best work.
For samples: Mani uses ARR's piece (the same percussion piece is used with varying tempo and varations for Anandan-Tamizhselvan track) to mute the crux of Anandan's speech (Macguffin? that it contributes to the eventual split) after Annadurai(Nasser)'s death. The variation in the musical motif serves to the magnitude of blow from one to another.
Shortly after, when Nambiar(Delhi) informs Anandan that the party has severed ties, Lal's (control of) emotion matched by the piece. And the mood swing when Anandan comes out of the room. The same piece is used for a similar (and beautifully conceived) moment in early part of the film, Anandan fails audition, and in stead, ends up doing a lesser role ('chinna bit vesham' in his own words). The melancholy significantly matches Anandan's struggle to whelm the tears ("apram Police Anandan-nu pEr ayidum"). It is also measuredly used in breaking of the car accident to Anandan, the impotency to find his feet and all. Brilliant acting.
I'm also reminded of the sequence from the fatal Gunshot to Anandan, up until Tamizhselvan taking up the CM seat.
It's not just serious stuff though. As Anandan enters into the sets (Merryland studios?) of the period movie he is about to star in, in a private moment, with a playful inhibition, he acts out an imaginary sequence of taking up the throne. Anandan shifts his body to try a majestic pose, then his attention takes to the machete replica, and he tries to take swings with wide-eyed vigor. I have to say the BGM compliments the acting and the mise-en-scene. It marries ambition to playfulness of the moment.
Without doubt, Rahman's best work.
That's what I imagined when I listend to 'Dol Dol' first. Maniratnam disappointed me :(Quote:
Originally Posted by Prabhu Ram
Worldspace Signature Tone HQ
http://www.mediafire.com/?hmzzlzyigem
Guys...
i was downloading all the ARR albums missing in my pc and when i was downloading this album, i was surprised to see it has all the BGMs...
so wats better than sharing it with u all :)
here is the link:
http://www.megaupload.com/?d=DDE0PU3D