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  1. #1
    Senior Member Seasoned Hubber RAGHAVENDRA's Avatar
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    After a brief coverage of 1961, now we move on to 1962 (the golden year for cinema all over the world)

    Billy Budd

    This is based on Herman Melville's novel on the same title.



    Film version was released in 1962 at the U.K.

    AND IT'S MENTIONED THAT THE MUSIC IS BY ANTHONY HOPKINS. I don't know if it's the legendary actor by that name.



    There was a talk during mid-60s that this film is the inspiration for the film "Ayirathil Oruvan" in Tamiz.

    Let's see what wiki says on this film:

    Billy Budd is a 1962 film produced, directed, and co-written by Peter Ustinov.[1] Adapted from the stage play version of Herman Melville's short novel Billy Budd, it starred Terence Stamp as Billy Budd, Robert Ryan as John Claggart, and Ustinov as Captain Vere. Stamp was nominated for an Academy Award for Best Supporting Actor, and received a Golden Globe Award for Most Promising Male Newcomer. The film was nominated for four BAFTAs.

    Plot
    In the year 1797, the British naval vessel HMS Avenger (changed from the book; in early drafts it was Indomitable, later ones, Bellipotent) impresses a crewman "according to the Rights of War" from the merchant ship The Rights Of Man. The new crewman, Billy Budd, is considered naive by his shipmates, and they attempt to indoctrinate him in their cynicism. But Budd's steadfast optimism is impenetrable, as when he is asked to critique the horrible gruel the crew must eat, he offers "It's hot. And there's a lot of it. I like everything about it except the flavor."
    Though Budd manages to enchant the crew, his attempts at befriending the brutal master-at-arms, John Claggart, are unsuccessful. Claggart is cruel and unrepentant, a man who believes he must control the crew through vicious flogging; savaging them before they can prey on him. He reveals his mistrust for humanity when Budd confronts him about his discipline.
    Budd: "It's wrong to flog a man. It's against his being a man."
    Claggart: "The sea is calm you said. Peaceful. Calm above, but below a world of gliding monsters preying on their fellows. Murderers, all of them. Only the strongest teeth survive. And who's to tell me it's any different here on board, or yonder on dry land?"
    When Claggart learns of a plot to end his life, he brings his charges to the Captain, Edwin Fairfax Vere. Although Claggart has no reason to implicate Budd in the conspiracy, Budd becomes a target because the crewman represents everything that Claggart despises: humility, innocence, and trust in humanity. Vere summons both Claggart and Budd to his cabin for a private confrontation. When Claggart makes his false charges that Budd is a conspirator, the accused is unable to find the words to respond and he strikes Claggart, killing him with a single blow.
    Captain Vere assembles a court-martial. Vere and all the other officers on board are fully aware of Budd's simplicity and Claggart's evil, but the captain is also torn between his morality and duty to his station. Vere intervenes in the final stages of deliberations (which are in full support of Budd). He argues the defendant must be found guilty for even striking Claggart, Budd's superior, not to mention killing him. His arguments to pursue the letter of the law succeed, and Budd is convicted.
    Condemned to be hanged from the ship's yardarm at dawn the following morning, Budd takes care to wear his good shoes. At Budd's final words, "God bless Captain Vere!", Vere crumbles, and Billy is subsequently hoisted up and hanged. At this point the crew is on the verge of mutiny over the incident, but Vere can only stare off into the distance, the picture of abdication, overtaken by his part in the death of innocence. Just as the crew is to be fired upon, a French vessel appears and commences cannon fire on the Avenger, and the crew eventually returns fire. HMS Avenger fends off the attack, but in the course of battle a piece of the ship's rigging falls on Vere, killing him in an act of poetic justice.

    Cast

    Terence Stamp as Billy Budd
    Robert Ryan as John Claggart, Master d'Arms
    Peter Ustinov as Edwin Fairfax Vere, Post Captain
    Melvyn Douglas as The Dansker, sailmaker
    Paul Rogers as Philip Seymour, 1st Lieutenant
    John Neville as Julian Radcliffe, 2nd Lieutenant
    David McCallum as Steven Wyatt, Gunnery Officer
    Ronald Lewis as Enoch Jenkins, maintopman
    Lee Montague as Squeak, Mr. Claggart's assistant
    Thomas Heathcote as Alan Payne, maintopman
    Ray McAnally as William O'Daniel, maintopman
    Robert Brown as Talbot
    John Meillon as Neil Kincaid, maintopman
    Cyril Luckham as Hallam, Captain of Marines
    Niall MacGinnis as Captain Nathaniel Graveling

    Directed by Peter Ustinov
    Produced by Peter Ustinov
    Written by Peter Ustinov
    Herman Melville (novel)

    Music by Antony Hopkins
    Cinematography Robert Krasker
    Studio Anglo Allied
    Harvest Films
    Distributed by Allied Artists
    Release date(s) 1962
    Running time 94 minutes
    Country United Kingdom
    Language English
    Information source: wiki

    To watch a clip:

    விமர்சனங்களுக்கு அப்பாற்பட்ட இறைவன் நடிகர் திலகம்.. கடலின் ஆழத்தை அளந்து விடலாம். நடிகர் திலகத்தின் செல்வாக்கை அளக்க முடியாது... அது பயனளிக்கும் போது தான் அதன் ஆழம் புரியும்....

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  3. #2
    Senior Member Seasoned Hubber RAGHAVENDRA's Avatar
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    James Bond ... contd...

    Actors

    Sean Connery - Dr. No. - 1962 to Diamonds are Forever 1971
    George Lazenby - On Her Majesty's Secret Service - 1969
    Roger Moore - Live and Let Die 1973 to A View to a Kill - 1985
    Timothy Dalton - The Living Daylights 1987 to Licence to Kill 1989
    Pierce Brosnon - Golden Eye 1995 - Die Another Day 2002
    Daniel Craig - Casino Royale 2006 to Quantum of Solace 2008

    The first Actor

    Sean Connery



    A contest was set up to 'find James Bond', and six finalists were chosen and screen-tested by Broccoli, Saltzman, and Fleming. The winner of the contest was a 28-year-old model named Peter Anthony, who, according to Broccoli, had a Gregory Peck quality, but proved unable to cope with the role.[10] The producers turned to Sean Connery, who ended up playing Bond for five consecutive films (and more subsequently). According to one story, Connery had been suggested by Polish director Ben Fisz, a friend of Saltzman. Saltzman viewed Connery in On the Fiddle (also called "Operation Snafu"), the actor's eleventh film. By other accounts, Broccoli first saw Connery in a screening of Darby O'Gill and the Little People (1959)
    ... from wiki...

    ...tbc...
    விமர்சனங்களுக்கு அப்பாற்பட்ட இறைவன் நடிகர் திலகம்.. கடலின் ஆழத்தை அளந்து விடலாம். நடிகர் திலகத்தின் செல்வாக்கை அளக்க முடியாது... அது பயனளிக்கும் போது தான் அதன் ஆழம் புரியும்....

  4. #3
    Senior Member Seasoned Hubber RAGHAVENDRA's Avatar
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    The First Film

    Dr. No.



    Dr. No is a 1962 spy film, starring Sean Connery; it is the first James Bond film. Based on the 1958 Ian Fleming novel of the same name, it was adapted by Richard Maibaum, Johanna Harwood, and Berkely Mather and was directed by Terence Young. The film was produced by Harry Saltzman and Albert R. Broccoli, a partnership that would continue until 1975.
    In the film, James Bond is sent to Jamaica on an investigation into the death of a fellow British agent. The murder trail leads him to the underground base of Dr. Julius No, who is plotting to disrupt an early American manned space launch with a radio beam weapon. Although the first of the Bond books to be made into a film, Dr. No was not the first of Fleming's novels, Casino Royale being the debut for the character; however, the film makes a few references to threads from earlier books.
    Dr. No was produced with a low budget, but was a financial success. While critical reaction at release was mixed, over time the film received a reputation as one of the franchise's best instalments. The film was the first of a successful series of 22 Bond films; a 23rd is planned for release in 2012. Dr. No also launched a successful genre of "secret agent" films that flourished in the 1960s. The film also spawned a spin-off comic book and soundtrack album as part of its promotion and marketing.
    Many of the iconic aspects of a typical James Bond film were established in Dr. No: the film begins with an introduction to the character through the view of a gun barrel and a highly stylised main title sequence, both created by Maurice Binder. Production designer Ken Adam established an elaborate visual style that is one of the hallmarks of the Bond film series.



    Directed by Terence Young
    Produced by Harry Saltzman
    Albert R. Broccoli
    Written by Ian Fleming
    Screenplay by Richard Maibaum
    Johanna Harwood
    Berkely Mather
    Starring Sean Connery
    Joseph Wiseman
    Ursula Andress
    Jack Lord
    John Kitzmiller
    Music by Monty Norman
    Cinematography Ted Moore
    Editing by Peter R. Hunt
    Studio Eon Productions
    Distributed by United Artists
    Release date(s) 5 October 1962
    Running time 109 minutes
    Country United Kingdom
    Dr. No. TRAILER

    விமர்சனங்களுக்கு அப்பாற்பட்ட இறைவன் நடிகர் திலகம்.. கடலின் ஆழத்தை அளந்து விடலாம். நடிகர் திலகத்தின் செல்வாக்கை அளக்க முடியாது... அது பயனளிக்கும் போது தான் அதன் ஆழம் புரியும்....

  5. #4
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    1961 contd....

    Dentist on the Job









    Dentist on the Job is a 1961 British comedy film directed by C.M. Pennington-Richards. It was released in the US with the title Get on with it! It is the sequel to Dentist in the Chair. The film was co-written by Bob Monkhouse (who also appeared in the film) and Hazel Adair. Other actors appearing in the film include Kenneth Connor, Ronnie Stevens, Shirley Eaton, Richard Wattis and Charles Hawtrey.

    Synopsis

    Colonel Proudfoot of Proudfoot Industries tries to entice a couple of newly qualified dentists to advertise "Dreem", a revolutionary type of toothpaste, but he knows that if the dentists learn that they are part of an advertising campaign, they will be struck off, and the campaign will be a disaster.

    Cast

    Bob Monkhouse as David Cookson
    Kenneth Connor as Sam Field
    Ronnie Stevens as Brian Dexter
    Shirley Eaton as Jill Venner
    Eric Barker as Colonel J.J. Proudfoot / The Dean
    Reginald Beckwith as Mr. Duff
    Richard Wattis as Macreedy
    Charles Hawtrey as Mr. Roper
    Richard Caldicot as Prison Governor
    Cyril Chamberlain as Director
    David Horne as Admiral Southbound
    Graham Stark as Sourfaced Man
    Arthur Mullard (uncredited)

    Directed by C.M. Pennington-Richards
    Produced by Bertram Ostrer
    Written by Bob Monkhouse
    Hazel Adair

    Music by Ken Jones
    Cinematography Stephen Dade
    Editing by Bill Lenny
    Release date(s) December 29, 1961
    Running time 88 min.
    Country United Kingdom
    Language English
    .....more at wiki
    விமர்சனங்களுக்கு அப்பாற்பட்ட இறைவன் நடிகர் திலகம்.. கடலின் ஆழத்தை அளந்து விடலாம். நடிகர் திலகத்தின் செல்வாக்கை அளக்க முடியாது... அது பயனளிக்கும் போது தான் அதன் ஆழம் புரியும்....

  6. #5
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    1961 contd...



    The Honeymoon Machine

    The Honeymoon Machine is a 1961 film starring Steve McQueen, Brigid Bazlen, Jim Hutton, Paula Prentiss, Jack Mullaney, and Dean Jagger, based on the 1959 Broadway play The Golden Fleecing by Lorenzo Semple Jr.. In the film, three men devise a plan to win at roulette with a United States Navy computer. The scheme works until an admiral ruins their plans.

    Plot
    Civilian scientist Jason Eldridge (Hutton) runs Magnetic Analyzer Computing Synchrotron (MACS), a vacuum-tube computer aboard the USS Elmira. He and his friend LT Ferguson Howard (McQueen) realize that, by using MACS to record a roulette table's spins over time, the computer can predict future results. Howard and LTJG Beauregard Gilliam (Mullaney) check into a Venice casino's hotel dressed as civilians with Eldridge, defying Admiral Fitch's (Jagger) order that naval officers on shore avoid the casino and wear uniforms. They plan to use signal lamps to communicate with a confederate manning MACS on the Elmira.
    At the hotel dedicated bachelor Howard meets and romances Julie Fitch (Bazlen), the admiral's daughter. Eldridge reunites with former girlfriend and heiress Pam Dunstan (Prentiss), in Venice to marry another man. The betting system is very effective, and the three men accumulate hundreds of thousands of dollars in casino chips; the money gives Eldridge the confidence to propose to Dunstan. However, Admiral Fitch sees and investigates their signals; soon the Navy, the American and Soviet consulates, and Venice city authorities are on alert for a "revolution".
    The gamblers get Signalman Burford Taylor (Weston), who finds their signal lamp, drunk to detain him, but Taylor escapes and reports to the admiral. Julie Fitch tells her father that she and Howard have "got to marry" each other to save him from court-martial. The Soviets accuse the Navy of using MACS to steal from the casino. To avoid an international incident Howard agrees to intentionally lose his last bet, but a riot breaks out between Soviets, Americans, and Italians in the casino over the chips. The movie ends with newlyweds Howard and Fitch celebrating their honeymoon in the hotel.

    Cast
    Steve McQueen - Lt. Ferguson 'Fergie' Howard
    Brigid Bazlen - Julie Fitch
    Jim Hutton - Jason Eldridge
    Paula Prentiss - Pam Dunstan
    Dean Jagger - Admiral Fitch
    Jack Weston - Signalman Burford Taylor
    Jack Mullaney - Lt. Beauregard 'Beau' Gilliam
    Marcel Hillaire - Inspector of casino games
    Ben Astar - Russian consul
    William Lanteau - Tommy Dane
    Ken Lynch - Capt. James Angle
    Simon Scott - Capt. Harvey Adam

    Directed by Richard Thorpe
    Produced by Lawrence Weingarten
    Written by Lorenzo Semple Jr. (play)
    George Wells (screenplay)

    Music by Leigh Harline
    Cinematography Joseph LaShelle
    Distributed by Metro-Goldwyn-Mayer
    Release date(s) 1961
    Running time 87 min.
    Country United States
    Language English
    Information source: the wiki

    Trailer
    Last edited by RAGHAVENDRA; 5th October 2011 at 08:40 AM.
    விமர்சனங்களுக்கு அப்பாற்பட்ட இறைவன் நடிகர் திலகம்.. கடலின் ஆழத்தை அளந்து விடலாம். நடிகர் திலகத்தின் செல்வாக்கை அளக்க முடியாது... அது பயனளிக்கும் போது தான் அதன் ஆழம் புரியும்....

  7. #6
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    AND NOW ARRIVES THE MAN WITH THE GOLDEN GUN .... JAMES BOND 007 ....



    THE FIRST IN THE SERIES IS Dr. No.

    Before going to the first film, a brief write-up quoted from the wiki on James Bond Filmography.

    James Bond in film

    The James Bond film series is a British series of motion pictures based on the fictional character of MI6 agent James Bond (code designation "007"), who originally appeared in a series of books by Ian Fleming. Earlier films were based on Fleming's novels and short stories, followed later by films with original storylines. It is the longest continually-running film series in history, having been in ongoing production from 1962 to the present (with a six-year hiatus between 1989 and 1995).[1] In that time Eon Productions has produced 22 films, at an average of about one every two years, usually produced at Pinewood Studios. The series has grossed just over US$5 billion to date, making it the second-highest-grossing film series of all-time (behind Harry Potter).[2] Six actors have portrayed 007 in the Eon series, with the Connery films largely setting the style and mood of the series, and Roger Moore starring in the most films.
    Albert R. Broccoli and Harry Saltzman co-produced the Eon films until 1975, when Broccoli became the sole producer. Since 1995, Broccoli's daughter Barbara and stepson Michael G. Wilson have co-produced them. Broccoli's (and until 1975, Saltzman's) family company, Danjaq, has held ownership of the series through Eon, and maintained co-ownership with United Artists since the mid-1970s. From the release of Dr. No (1962) up to For Your Eyes Only (1981) the films were distributed solely by UA. When Metro-Goldwyn-Mayer bought UA in 1981, MGM/UA Entertainment Co. was formed and distributed the films until 1995. MGM solely distributed three films from 1997 to 2002 after UA retired as a mainstream studio. From 2006 to present MGM and Columbia Pictures have co-distributed the franchise, following the 2005 aquisition of MGM by a consortium led by Columbia's parent company, Sony Pictures Entertainment. In November 2010, MGM filed for bankruptcy. Following MGM's emergence from bankruptcy, Columbia has been co-production partner of the series with Danjaq.
    Independently of the Eon series, there have been three additional film or TV productions with the character of James Bond – a satirical film spoof based on Casino Royale (1967), a remake of Thunderball entitled Never Say Never Again starring Sean Connery (1983) and a pre-Eon 1954 American television adaptation of Casino Royale.

    Development

    [edit]First Bond film
    Previous attempts to adapt the James Bond novels for screen resulted in a 1954 television episode of Climax!, based on the first novel, Casino Royale, and starring American actor Barry Nelson as "Jimmy Bond". Ian Fleming desired to go one step further and approached producer Sir Alexander Korda to make a film adaptation of either Live and Let Die or Moonraker. Although Korda was initially interested, he later withdrew.[3] On 1 October 1959, it was announced that Fleming would write an original film script featuring Bond for producer Kevin McClory. Jack Whittingham also worked on the script, culminating in a screenplay entitled James Bond, Secret Agent.[4] However, Alfred Hitchcock and Richard Burton turned down roles as director and star, respectively.[5] McClory was unable to secure the financing for the film, and the deal fell through. Fleming used the story for his novel Thunderball (1961).[6]
    In 1959, producer Albert R. Broccoli expressed interest in adapting the Bond novels, but his colleague Irving Allen was unenthusiastic. In 1961, Broccoli, now partnered with Harry Saltzman, purchased the film rights to all the Bond novels (except Casino Royale) from Fleming.[7] However, numerous Hollywood film studios did not want to fund the films, finding it "too British" or "too blatantly sexual".[8] The producers wanted US$1 million to either adapt Thunderball or Dr. No, and reached a deal with United Artists in July 1961. The two producers set up Eon Productions and began production of Dr. No

    James Bond Films - Directors

    Terence Young
    Guy Hamilton
    Lewis Gilbert
    Peter R. Hunt
    John Glen
    Martin Campbell
    Roger Spottiswoode
    Michael Apted
    Lee Tamahori
    Marc Forster
    Sam Mendes

    Producers

    Albert R. Broccoli
    Harry Saltzman
    Michael G. Wilson
    Barbara Broccoli
    Kevin McClory

    Screenplay writers

    Joanna Harwood
    Richard Maibaum
    Tom Mankiewicz
    Christopher Wood
    Michael G. Wilson
    Neal Purvis
    Robert Wade
    Bruce Feirstein
    Paul Haggis
    Others

    Music Directors

    Monty Norman
    John Barry
    George Martin
    David Arnold
    Don Black

    Actors

    Sean Connery
    George Lazenby
    Roger Moore
    Timothy Dalton
    Pierce Brosnan
    Daniel Craig
    Barry Nelson (non-Eon)
    David Niven (non-Eon)
    Information source... wiki

    ....tbc...
    விமர்சனங்களுக்கு அப்பாற்பட்ட இறைவன் நடிகர் திலகம்.. கடலின் ஆழத்தை அளந்து விடலாம். நடிகர் திலகத்தின் செல்வாக்கை அளக்க முடியாது... அது பயனளிக்கும் போது தான் அதன் ஆழம் புரியும்....

  8. #7
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    .... 1962 continues....

    Amphibian Man





    Amphibian Man (Russian: Человек-амфибия, translit. Chelovek-amfibiya) is a 1962 Soviet science fiction romance film starring Vladimir Korenev and Directed by Vladimir Chebotaryov and Gennadi Kazansky.
    It is an almost fable-like story based upon the eponymous novel by Alexander Beliaev. It focuses on a boy named Ichtyandr who was surgically altered to survive under the sea. Unlike traditional science fiction movies of the time the film focuses much more on the concept of love won and lost. It was given the name of Tarzan des Mers before the estate of Edgar Rice Burroughs took exception.[1]
    The film was the leader of Soviet distribution in 1962 (65.5 million viewers). It is little-known in the West, but has become a cult classic.
    Plot

    The story is set in a seaside port, largely among a community of pearl fishers. The protagonist is the son of a doctor/scientist who was sometime in the past forced to save his son's life by implanting him with gills. Thus he is able to live under water, but must keep his secret from the world. The conflict arises from his falling in love with a pearl-fisher's beautiful daughter. His secret is discovered and the girl's stern father attempts to exploit Ichtyandr for his ability. Due to being kept caged under water, he loses the ability to live in the open air, and must now permanently live in the sea. Although set free, the lovers are permanently parted from each other.
    Although ostensibly a lost-love-tragedy like Romeo and Juliet, the film has a significant focus on greed and commercial exploitation (of the pearl-greedy fishermen), possibly under the influence of Socialist Realism.
    Directed by Vladimir Chebotaryov
    Gennadi Kazansky
    Written by Alexander Beliaev (novel)
    Akiba Golburt
    Aleksei Kapler
    Aleksandr Ksenofontov

    cast:
    Starring Vladimir Korenev
    Anastasiya Vertinskaya

    Music by Andrei Petrov
    Cinematography Eduard Rozovsky
    Studio Lenfilm
    Distributed by BijouFlix Releasing
    National Telefilm Associates (NTA) Inc.
    Release date(s) December 19, 1962
    Running time 82 min.
    Country Soviet Union
    Language Russian
    .....source wiki......



    THIS FILM WAS SCREENED AT THE BALAR ARANGAM (Later remodelled and christened as Kalaivanar Arangam, now demolished) at Chennai, as a children's film and ticket rate was 6 paise for children and 12 paise for adults. I was fortunate to see the movie at 6 paise since I was a school boy and after almost 50 years I am now seeing this film as a clip along with you.
    விமர்சனங்களுக்கு அப்பாற்பட்ட இறைவன் நடிகர் திலகம்.. கடலின் ஆழத்தை அளந்து விடலாம். நடிகர் திலகத்தின் செல்வாக்கை அளக்க முடியாது... அது பயனளிக்கும் போது தான் அதன் ஆழம் புரியும்....

  9. #8
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    1962 contd...

    The Miracle Worker



    இந்தப் படத்தில் ஒரு சுவாரஸ்யமான தகவல் உள்ளது. பராசக்தி படத்தில் நடிகர் திலகத்தை நடிக்க வைக்க எப்படி பெருமாள் முதலியார் தீர்மானமாக இருந்தாரோ, அதே போல் இத்திரைப்படத்தில் Anne Bancroft அவர்களை நடிக்க வைக்க இயக்குநர் ஆர்தர் பென் அவர்கள் மிகவும் தீர்மானமாக இருந்தார். தயாரிப்பாளர்கள் எலிசபெத் டைலரைப் போடுவதாக இருந்தால் ஐந்து மில்லியன் டாலர் தருவதாகவும், ஆன் அவர்களைப் போட வேண்டுமென்றால் 500000 டாலர் மட்டுமே தருவதாகவும் கூறி விட்டனர். இயக்குநர் அவர்கள் பிடிவாதமாக ஆன் அவர்களையே நடிக்க வைத்தார்.

    இத்திரைப்படம் ஹெலன் கெல்லர் அவர்களின் சரிதையை அடிப்படையாகக் கொண்டது.

    இத்திரைப்படத்தின் கதாநாயகி பார்வையற்றவர் மற்றும் காது கேளாதவர் ஆவார்.

    இந்த படத்திற்காக ஆன் அவர்கள் சிறந்த நடிகை பரிசு பெற்றார் என்பது குறிப்பிடத் தக்கது.

    வைகி இணைய தளத்திலிருந்து இப்படத்தைப் பற்றிய தகவல்கள்

    The Miracle Worker is a 1962 American biographical film directed by Arthur Penn. The screenplay by William Gibson is based on his 1959 play of the same title, which originated as a 1957 broadcast of the television anthology series Playhouse 90. Gibson's original source material was The Story of My Life, the 1902 autobiography of Helen Keller.
    Plot synopsis

    Young Helen Keller, blind and deaf since infancy due to a severe case of scarlet fever, is frustrated by her inability to communicate and subject to frequent violent and uncontrollable outbursts as a result. Unable to deal with her, her terrified and helpless parents contact the Perkins School for the Blind for assistance. In response they send Anne Sullivan, a former student, to the Keller home to tutor her. What ensues is a battle of wills as Anne breaks down Helen's walls of silence and darkness through persistence, love, and sheer stubbornness.

    Directed by Arthur Penn
    Produced by Fred Coe
    Written by William Gibson
    Starring Anne Bancroft
    Patty Duke
    Music by Laurence Rosenthal
    Cinematography Ernesto Caparrós
    Editing by Aram Avakian
    Distributed by United Artists
    Release date(s) July 28, 1962
    Running time 106 minutes
    Country United States
    Language English

    Production notes

    Despite the fact Anne Bancroft had won the Tony Award for Best Performance by a Leading Actress in a Play for her performance in the Broadway production, United Artists executives wanted a bigger name cast as Anne Sullivan in the film adaptation. They offered to budget the film at $5 million if Elizabeth Taylor was cast but only $500,000 if director Arthur Penn insisted on using Bancroft. Penn, who had directed the stage production, remained loyal to his star. The move paid off, and Bancroft won an Oscar for her role in the film.
    Also despite the fact that Patty Duke had played Helen Keller in the play, she almost didn't get the part. The reason was that Duke, 15 years old at the time, was too old to portray a seven-year old girl, but after Bancroft was cast as Anne, Duke was chosen to play Helen in the movie.
    For the dining room battle scene, in which Anne tries to teach Helen proper table manners, both Bancroft and Patty Duke wore padding beneath their costumes to prevent serious bruising during the intense physical skirmish. The nine-minute sequence required three cameras and took five days to film.[1]
    The film was shot at Big Sky Ranch in Simi Valley, California and Middletown, New Jersey.
    It was remade twice for television, in 1979 with Patty Duke as Anne and Melissa Gilbert as Helen and in 2000 with Alison Elliott and Hallie Kate Eisenberg in the lead roles.
    The film ranked #15 on AFI's 100 Years...100 Cheers: America's Most Inspiring Movies.

    Academy Award for Best Actress (Anne Bancroft, winner)
    Academy Award for Best Supporting Actress (Patty Duke, winner)
    Academy Award for Best Director (Arthur Penn, nominee)
    Academy Award for Best Adapted Screenplay (William Gibson, nominee)
    Academy Award for Best Black-and-White Costume Design (Ruth Morley, nominee)
    A scene from the film The Miracle Worker

    விமர்சனங்களுக்கு அப்பாற்பட்ட இறைவன் நடிகர் திலகம்.. கடலின் ஆழத்தை அளந்து விடலாம். நடிகர் திலகத்தின் செல்வாக்கை அளக்க முடியாது... அது பயனளிக்கும் போது தான் அதன் ஆழம் புரியும்....

  10. #9
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    Cinema of the world: The BBC's 100 greatest foreign-language (non-English) films

    https://www.msn.com/en-au/entertainm...id=mailsignout

    The only Indan film in the list is Satyjit Ray's PATHER PANCHALI (1955 - Bengali)

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